The exhibition Paris-Londres, Music Migrations (1962-1989) is currently on display at the Musée National de L’Histoire de L’Immigration in Paris. In terms of contents, it draws a parallel between how Paris and London were reshaped into multicultural capitals in the late 20th century as a result of post-colonial immigration. In order to reveal a great deal about the issues brought about by the migration, dislocation and acculturation of generations of post-colonial immigrants to these countries, curators have used the lens of popular music specifically by illustrating how migrants have used music to express their joys, hopes and aspirations, and to fight against racism. Overall, the exhibition illustrates how genres of popular music have intersected and developed to build up the multicultural musical expression we know today, thereby depicting popular music as a contextually situated platform for cultural exchange. (more…)
Play it Loud is an exhibition dedicated to the musical instruments which have been the hallmark of Rock & Roll and to the iconic musicians that have used them throughout the history of Rock and Roll music. It is being staged at The Metropolitan Museum of Art (colloquially The Met), a museum known for collecting and presenting works of art ranging from classical antiquity and Ancient Egypt to great Masters from all around the world. At first glance, a museum like The Met showing artifacts related to musical practices deemed rebellious might appear surprising and controversial. Such an exhibition, nonetheless, is in continuity with The Met’s approach, in that the museum has long been developing encyclopaedic collections of musical instruments, costumes and accessories from musical practices around the world. At the same time, the fact that The Met is holding this exhibition is not surprising in that, given every year there appears an exhibition around such a topic almost everywhere, it has become remarkable in recent times for a museum to stage an exhibition about popular music.
Listen: 140 Years of Recorded Sound is the very first sound-focused exhibition staged by the British Library and it brings to public view material from the tremendous resource which is the British Library Sound Archive. The exhibition tells the story of sound recording since the invention of the phonograph in 1877, reflects the impact of radio in the 20th century, and the importance of sound in recording our lives and cultural heritage. It is part of a major event the British Library is conducting, Season of Sound, celebrating all aspects of the listening experience, which comprises a programme of accompanying events such as lectures, tours and workshops, all aiming at connecting people with their audio heritage.
If one of the purposes of the 21st-century museum is to facilitate and broaden the general public’s knowledge without losing depth and rigour, then Opera: passion, power and politics, the first exhibition to be staged inside the V&A’s large new underground exhibition space, ranks among the most successful temporary exhibitions I have seen lately. In fact, although opera used to be a particularly popular and exciting genre for a long time in the past, today it is music for a very restricted elite and so this exhibition stands out for bringing a comprehensible account of it to a potential wider audience.